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American Television, Talk Shows  
 
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Television talk shows are for many Americans an embarrassingly guilty pleasure, especially since the genre has become a principal purveyor of trash television. These shows frequently feature guests whose shocking revelations of infidelity, promiscuity, kinkiness, and bad behavior of all sorts are abetted by shouted encouragements (or disparagements) from raucous audience members. The result is that they succeed in shaming all parties involved. Nevertheless, they undeniably possess a certain prurient appeal for many viewers.

For glbt people, however, talk shows are both promising and problematic. Historically, they have been important in bringing glbt people and issues to public awareness, though these shows have also exploited glbt people, given voice to anti-gay sentiments, and presented glbt people as stereotypes and freaks.

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Joshua Gamson has noted that talk shows provide to sex and gender nonconformists both visibility and voice, but in a distorted though real, hollow yet gratifying space. Perhaps most significantly, talk shows help redraw the lines between the so-called normal and the abnormal.

Early Incarnations

Participatory talk shows have been in existence since the 1930s and 1940s, with radio shows such as Truth or Consequences, a radio staple from 1950 to 1958, featuring audience members answering questions mailed in by listeners. The show also provided an added bonus that, if the audience member answered the question incorrectly, a gratuitous public humiliation of some sort would ensue.

Television realized quickly the potential of this format and provided shows such as the campy audience participation tearjerker Queen For a Day (1956-1964), which provided women a chance to compete for merchandise prizes by telling emotionally wrenching stories of need, the winner determined by audience response via an applause meter.

Although in the 1950s and 1960s a number of variety talk shows also appeared, these shows were premised on a devotion to light and casual conversation reflecting normative societal values. Hosted by figures as diverse as Gypsy Rose Lee, Dinah Shore, Virginia Graham, Dick Cavett, Mike Douglas, and Merv Griffin, these shows usually featured celebrity guests and were essentially daytime versions of The Tonight Show. Not only did they maintain a definite sense of formality and decorum, but little attention was paid to contentious issues of any kind and non-normative presences were not permitted.

The one national talk show host of the period who frequently featured gay men and lesbians was David Susskind, whose show was broadcast by PBS. While Susskind's show was a precursor of every format from Jerry Springer to Charlie Rose, his exposure was limited by virtue of its placement on PBS, whose local affiliates frequently scheduled it late at night. Susskind's homosexual guests were often shot in shadow, sometimes wore masks, were frequently apologetic, and were often subjected to queries that now seem absurd and offensive.

Often, the experiences of gay men and lesbians were countered by "experts," though sometimes the reverse was true as well, as when, in a groundbreaking 1967 episode, Susskind featured anti-gay psychiatrist Lawrence Hatterer facing off with Dick Leitsch, president of New York City's chapter of the Mattachine Society. For all the indignities visited upon his glbt guests, Susskind deserves credit for giving gay men and lesbians a voice. Susskind seemed to showcase gays so frequently that a contemporary cartoon parodied him by drawing a homosexual interviewing a group of David Susskinds.

The real breakthrough in the late 1960s was pioneered by a local television personality in Dayton, Ohio named Phil Donahue. He began actively engaging and encouraging audience questions and participation; and in so doing he created a new talk format that proved amazingly popular. His local show soon went national and spawned a number of imitators and competitors.

Talking Back

While early Phil Donahue shows were concerned primarily with women's issues, he was not afraid to court controversy. Donahue soon began inviting such non-mainstream figures as atheists, feminists, Nazis, and homosexuals to join him in very vocal forums. Donahue pushed the envelope of what was then considered acceptable conversation on television by discussing such taboo topics as condoms, penis size, masturbation, gender reassignment surgery, and, of course, homosexuality.

Donahue's project of making visible ideas and subjects that had been previously invisible on television neatly coincided with the burgeoning, late-1960s gay rights movement. His show served as an invaluable format for public education about the different varieties of queer presence. His show helped "normalize" gay men and lesbians in the minds of millions of middle-class housewives, who were his primary audience.

A late 1970s Donahue episode, for example, featured sex researchers William Masters and Virginia Johnson, who talked with Phil and his audience about their book Homosexuality in Perspective. This show in particular provided scientific refutation of several myths about homosexuality, and asserted many similarities between heterosexuals and homosexuals.

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