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| American Art: Gay Male, 1900-1969
David Hockney, who immigrated permanently to America in 1963, painted lyrical portraits of gay couples and individuals. Both in depictions of incidents from everyday life (such as Domestic Scene, Los Angeles, 1963), in portraits of friends such as Christopher Isherwood and Don Bachardy, and in commissioned portraits (such as The Conversation, showing Henry Geldzahler and Raymond Foy, 1980), Hockney subtly revealed the intimacies and complexities of committed relationships. In these works, the (homo)sexuality of the subjects is evident, but it is not emphasized. Settling permanently in California, Hockney enjoyed painting scenes of beautiful youths lounging around and swimming in pools (for example, Le Plongeur, 1978, among many other pieces). Although ultimately inspired by homoerotic desire, Hockney managed to infuse these works with a generalized sensuality, which can be enjoyed by viewers of divergent sexual orientations. By creating homoerotic images that could appeal to mainstream audiences, Hockney initiated a new phase of gay art.
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arts >> Overview: African-American and African Diaspora Art literature >> Overview: The Harlem Renaissance arts >> Overview: Patronage II: The Western World since 1900 arts >> Overview: Photography: Gay Male, Pre-Stonewall arts >> Bachardy, Don arts >> Bess, Forrest arts >> Cadmus, Paul arts >> Day, F. Holland arts >> Delaney, Beauford arts >> Demuth, Charles arts >> Hartley, Marsden arts >> Hockney, David arts >> Indiana, Robert literature >> Isherwood, Christopher arts >> Johns, Jasper arts >> Kirstein, Lincoln arts >> Leyendecker, Joseph C. arts >> Lynes, George Platt arts >> Quaintance, George arts >> Rauschenberg, Robert arts >> Rivers, Larry arts >> Roberts, Mel arts >> Tom of Finland (Touko Laaksonen) literature >> Van Vechten, Carl arts >> Warhol, Andy (as artist) arts >> Warhol, Andy (as filmmaker)
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| Bibliography | ||
Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940. New York: Basic Books, 1994. Cooper, Emmanuel. Fully Exposed: The Male Nude in Photography. London and New York: Routledge, 1990. Cooper, Emmanuel. The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West. 2nd ed. London and New York: Routledge, 1994. Davis, Whitney, editor. Gay and Lesbian Studies in Art History. New York: Harrington Park Press, 1994. Dubin, Steven C. Arresting Images: Impolitic Art and Uncivil Actions. London and New York: Routledge, 1992. Kaiser, Charles. The Gay Metropolis: 1940-1996. Boston: Houghton Mifflin, 1997. Saslow, James M. Pictures and Passions: A History of Homosexuality in the Visual Arts. New York: Penguin Putnam, 1999. Stryker, Susan, and Jim Van Buskirk. Gay by the Bay: A History of Queer Culture in the San Francisco Bay Area. With a Foreword by Armistead Maupin. San Francisco: Chronicle Books, 1996.
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| Citation Information | ||||
| Author: | Mann, Richard G. | |||
| Entry Title: | American Art: Gay Male, 1900-1969 | |||
| General Editor: | Claude J. Summers | |||
| Publication Name: | glbtq: An Encyclopedia of Gay, Lesbian,
Bisexual, Transgender, and Queer Culture |
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| Publication Date: | 2002 | |||
| Date Last Updated | November 3, 2007 | |||
| Web Address | www.glbtq.com/arts/am_art_gay_1900_1969.html | |||
| Publisher | glbtq, Inc. 1130 West Adams Chicago, IL 60607 |
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| Encyclopedia Copyright: | © 2002-2006, glbtq, Inc. | |||
| Entry Copyright | © 2002, glbtq, Inc. | |||
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